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Rhythm and metre

6/8 time

In 6/8 time every measure holds six eighth notes, grouped in threes. The strong beats are one and four, so the measure is felt as two big beats.

The top number 6 tells how many counts are in a measure; the bottom 8 says that each count is an eighth note. Count one, two, three, four, five, six, stressing one and four. When the music is faster, count only the two big beats: one, two.

One big beat lasts as long as three eighth notes — a dotted quarter note. Two dotted quarters fill the measure. So do six eighths, or a quarter and an eighth twice, or three eighths and a dotted quarter — always two groups of three.

A measure of 3/4 also holds six eighth notes, but grouped in twos: three beats, a waltz. In 6/8 they are grouped in threes: two beats, rocking like a lullaby or a boat on the waves. Same number of notes; only the strong ones differ. 6/8 is a compound metre: each beat divides into three.

What it sounds like

Six-eight rocks: one-two-three, four-five-six. It is the feel of lullabies, sea songs and many folk tunes.

Where it is taught: the studio’s interactive textbook, chapter 14, “6/8 and the waltz pulse”.

In the example there are two measures of 6/8. The first has six eighth notes beamed in threes: C, D, E and F, E, D. The second has two dotted quarter notes: C and G. Press “Listen” and count along: one, two, three, four, five, six, stressing one and four — both measures rock in two big beats, the second just with fewer notes.

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