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Chords and harmony

Triad

A triad is a three-note chord built from two thirds, one on top of the other. On the keyboard that is every other white key: C–E–G, F–A–C, G–B–D.

Building a triad is simple: take a note, skip a key, take the next, skip one more and take the third. The bottom note is the root, and it gives the chord its letter: C, F, G. On the staff a triad looks like a snowman: three notes on three lines in a row, or in three spaces in a row.

Triads, like scales, are major or minor. The difference is the middle note. A major triad has a major third (four half steps) at the bottom and a minor third (three) on top: C–E–G. A minor triad is the other way round, with the minor third at the bottom: A–C–E. In both, the outer notes make a fifth – seven half steps.

A triad can stand on any degree of the scale, but three matter most: on degree I the tonic (C in C major), on IV the subdominant (F), on V the dominant (G). Stack the same three notes in another order and you get an inversion.

What it sounds like

A major triad sounds bright and firm, a minor triad darker and sadder. The whole difference is one half step in the middle note.

Where it is taught: the studio’s interactive textbook, chapter 9, “Triads: C, F, G”.

In the example, on the treble staff, two triads as whole notes. In the first measure C–E–G from middle C: all three notes on lines, the major triad C. In the second measure A–C–E from the A above middle C: all three in spaces, the minor triad Am. Listen: the first sounds bright, the second darker.

Related terms

Practise it in a free trainer: