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Intervals and scales

Transposition

Transposition is moving a tune to another key, higher or lower. The steps between the notes stay the same and only the starting note changes, so the tune sounds the same at a different pitch.

Take a tune in C major: G, F, E, D, C, B, C. Its steps are whole, half, whole, whole, half, half. Move it to G major. There the tune has to end on G, so it starts on D: D, C, B, A, G, F♯, G. The half step below G is F♯, the very black key from the G major key signature.

When you transpose, every note moves up (or down) by the same interval: here, all of them rose a fifth. In written music you see it in the key signature: C major has none, G major one sharp, F major one flat. In F major the tune would start on C: C, B♭, A, G, F, E, F.

Why transpose? To fit a song to a singer’s voice, or to make it easier to play. You can do it yourself: count the steps of the tune and repeat them from another note.

What it sounds like

A transposed tune is recognised at once: the same steps, only higher or lower – like the same song sung by a different voice.

Where it is taught: the studio’s interactive textbook, chapter 7, “G and F major: key signatures”.

In the example, on the treble staff, the same tune twice. In the first two measures it is in C major: G, F, E, D, C, B, C (the last a half note). After the double bar it is in G major, a fifth higher: D, C, B, A, G, F♯, G. The sharp is written next to the note, not after the clef. The opening D and the F♯ are marked in colour: the new starting note and the new black key.

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